Hands of Korea, Korean Bojagi Exhibition

by Mary Beth Krapil

 

I want to share with you one more collection that was on exhibit at the European Patchwork Meeting in Ste Marie aux Mines, France, the “Hands of Korea”, Korean Bojagi Exhibition. Korean Bojagi (Bo-Jah-ki) – traditional wrapping cloth – is a marriage  of utility and beauty. Historically, it is a method of handstitched patchwork similar to quilting, but with no batting and backing. The piecing forms patterns and designs with themes of health, fertility, and wishes for longevity and abundance. The wrapping cloths were used for practical tasks such as wrapping and carrying food and household objects. As well as for ceremonial and gift giving purposes in families, religious ceremonies and imperial courts. Composed of scraps of fabric from sewing clothing and household linens, Bojagi reflects the resourcefulness and conservative ethic of Korean women.

Embroidered bojagi, or subo, was another form of decorated cloth associated with joyous occasions such as betrothals and weddings. They are used to wrap items such as gifts from the family of the bridegroom to the new bride.

Historical records indicate the use of bogaji as early as the Three Kingdoms period, 57 BC to 668 AD. There are many existing examples of Korean patchwork bogaji dating from 1392-1910.

Here are modern examples of the art and beauty of this rich Korean tradition.

Ramie jogakbo
by Sora, Lee

 

My Mother’s Story
by Ai Ran, Seo

 

Ely cathedral
by Magenta, Kang

 

Gyul
by Kyung Min, Cho

 

Lotus
by Young Hee, Noh

 

To Wedge the Door Open
by Eunjoo, Choi

 

Air
by Chang, Jin

 

Sujogakbo
by Kim Il Han

 

Embroidered Peony
by Minjung, Go

 

Waiting
by Sang Sook, Kim

 

Oriental Image
by Eun Young, Seo

 

Build
by Hana, Jo

 

A Young Woman
by Jung Hi, La

 

Tavel to the Islands
by Hye Sook, Kim

 

blue door
by Youngmin, Lee

 

Embroidered Chinese character wrapping cloth
by Jung Sook, Lee

 

These were simply beautiful and amazing works. I very much wanted to lift the corner and look at the seams in the back. Some were so sheer, you could see the seams and they looked so perfect! It was almost a part of the design.  I wanted to see if they were finished in some way. But I refrained. Do you think there are quilt police in France?

 

2017-09-28T10:04:28+00:00 October 6th, 2017|Uncategorized|1 Comment

One Comment

  1. Sandra October 9, 2017 at 12:28 pm - Reply

    Very beautiful quilts. Thank you for sharing.

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